Who do you think you are

Song Created By @Aokor With AI Singing

Audio de la musique

Cover
Who do you think you are
created by Aokor
Cover
Who do you think you are
created by Aokor

Détails de la musique

Paroles

I know that it sound like
 I'm musically illiterate 
But these are just triplets 
The lyrics I'm spittin
I sound like an animal 
Like the way you treated me
Controlling and such
It seemed like you thought 
You could watch me like
I'm fucking high
But little did you know 
I've been sober my while life
And I'm sorry mom for swearing
But these people seem to be wearing
Disguises focused on making it
And they lost sight of all of lifes gifts
So imma remind them who the hell I am saying
"Who's the shit?"
"I'm the King of all of it!"
They all lost
Well they won but for a cost
Who the hell you think you are
Beating me like I'm a shitty car
You think you play with me like play-dough
Imma do the same to you 
but I won't feel ashamed, no
Hit me all you want 
I'm not letting you get your way tho
Who the hell you think you are
Beating me like I'm a shitty car
You think you play with me like play-dough
Imma do the same to you 
but I won't feel ashamed, no
Hit me all you want 
I'm not letting you get your way ho

Description du style musical

Hyperpop

Langue des paroles

English

Emotional Analysis

The lyrics convey a sense of defiance and resilience, showcasing feelings of anger, empowerment, and a reclamation of self-worth. There is a juxtaposition between vulnerability (in acknowledging past control) and strength (in asserting dominance).

Application Scenarios

This song can be used in scenarios where themes of empowerment, overcoming adversity, and self-assertion are highlighted. It would fit well in motivational playlists, film soundtracks during a climactic personal victory, or as an anthem for self-identity and resilience.

Technical Analysis

The song features a use of triplet rhythms, which adds a layered complexity to the delivery of the lyrics. The contrast in imagery (being treated like a 'shitty car' versus claiming 'I'm the King of all of it!') creates a dynamic tension. The lyrical structure combines aggressive posturing with moments of introspection, typical of hyperpop's eclectic and often frenetic style.

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